Projects

2025

On Tour 2025-2026

Rinse

Supported by APHIDS through SUPERDRIVE

Where does the exhilaration of beginnings come from? The first stirrings of love, the first words of a scene, the discovery of a new country, the first bite of a meal? This solo, co-created by Amrita Hepi and Mish Grigor, is like a choreographic game that blends movements and words to explore beginnings and what comes after, once the initial surge of emotion begins to fade and inertia sets in. Hepi moves from one ending to another, weaving together fragments of her own life with the history of colonialism, art, feminism, and popular culture. Fascinated by the hybridisation of forms, this Bundjalung (Australia) and Ngāpuhi (Aotearoa/New Zealand) dancer and choreographer unfolds her research through movement, celebrating dance as a place of memory and resistance.

With Amrita Hepi
Text and direction Mish Grigor
Sound Daniel Jenatsch
Lighting Matt Adey
Production Performing Lines

This project is produced by Performing Lines and supported by the Australian Government through Creative Australia, its arts investment and advisory body; is supported by APHIDS, and was originally co-commissioned by Performance Space, Carriageworks, Dancehouse, and the Keir Foundation for the 2018 Keir Choreographic Award

1 October 2025
Cambridge Junction
Cambridge, UK

10–11 October
Dance Cork Firkin Crane
Cork City, Ireland

14 October 2025
The Place
London, UK

18 October 2025
NottDance
Nottingham, UK

21 October 2025
Transform Festival
Leeds, UK

25–26 October
Ringlokschuppen
Mülheim, Germany

22–24 January
National Arts Centre
Ottowa, Canada


Presentation History

2022
Liveworks Festival of Experimental Art,
Carriageworks
Sydney, NSW

2023
Fusebox Festival, Long Centre
Austin, Texas, USA

2024
Festival TransAmériques
Montréal, Canada

2025
Festival D’Avignon
Avignon, France

Theater im Pumpenhaus
Münster, Germany

Image: Gregory Lorenzutti

APHIDS acknowledges the Wurundjeri Woi-wurrung and Boon wurrung peoples on whose lands we live and work. Sovereignty was never ceded and we pay our respect to past, present, and future Aboriginal elders and community, and to their long and rich history of artmaking on this Country.